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It’s me in the photograph, along with my younger brother and mother. My father made this photograph, likely in 1958, on Majuro Atoll in the Marshall Islands. A full-body service by Harry Fleenor will cost a minimum of $700.Īre they worth the investment? I think the answer to that question is yes, if you want a camera that will (with care) be your partner for the long haul, and reward a mastery of technical photographic skill with images of exquisite detail and resolution. Good condition Rolleiflex 28Fs will likely cost between $2,500 and $3,000.
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If you’re interested in picking up a Rolleiflex, be prepared to pay for a clean, serviced camera (and a service from a recognized repair specialist). But like most of the Rolleiflex’s problems, the slow top shutter speed is indicative of a leaf shutter, which can be used at any speed with a flash. A shutter that tops out at 1/500 of a second can be a challenge to photographers who are used to shooting at 1/4000 of a second and getting creamy out of focus areas. Many Rolleiflex cameras have dim viewfinders, a problem that can be remedied by installing a bright screen. The most obvious of the camera’s shortcomings are using a viewfinder that flips left and right.
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But the do indicate a level of comfort with a camera’s strengths, and some knowledge of how to work around a camera’s inevitable weaknesses, of which the Rolleiflex has in spades. Nor do they define one’s style or approach to photography. Of course, a few photographs don’t make a career. This black and white portrait of my friend Milañ was made in 2019 as part of an ongoing project in the Marshall Islands. The five photographs here illustrate why I love this camera. I wrote about using this camera for photographing a jazz ensemble rehearsal here. It has an upgraded Maxwell bright screen installed by Rolleiflex repair guru Harry Fleenor, who also overhauled the camera. It is a late model Rollei, built in the late 1970s a few years before Franke & Heidecke went belly up.
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I’ve also sold a number of cameras over the years – a series of auto-focus Nikon film bodies when I finally went digital (F100, N80, N65, and then eventually bought a cherry F100 in Tokyo, and a low mileage N90s to use a camera bag full of sweet Nikkor glass) a lovely Zeiss Ikon Super Ikonta an even more desirable Contax G2 with its holy trinity of Zeiss lenses to name a few.īut I’ve always said the camera I’ll never sell is my Rolleiflex 2.8F, a white face model, with the Schneider Kreuznach Xenotar 80mm taking lens. In my case, reflecting the fact that I’ve owned a camera since 1963, when I was given a Kodak Brownie Fiesta for my 10th birthday, nearly all of these “excess” cameras are the kind that use film.
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Like many a photographer, I’ve accumulated a couple of drawers worth of cameras and lenses.